Jethro Hollis

Carollo Playscript The typewriter gave us the dominant document body copy look for much of the 20th century. This is especially true of scripts — whether for stage or screen. In the entertainment industry, Courier is still the industry standard for scriptwriting. The problem is that Courier is ugly. Like all typewriter slabs, it's monospaced, so wide letters like m and w are cramped into the same horizontal space as narrow letters like i and l, which are forced to have exceptionally large serifs to fill the same space. More than that, standard digital versions of Courier are too light for effective reading under stressful performance conditions. Enter Carollo Playscript . Carollo Playscript has the charm, height, and punch of a classic typewriter slab serif with the versatility, proportions, legibility, readability, and poise of a workhorse serif family. Its high x-height and recognizable letterforms gives your talent and creatives a script that's more legible and rea

Madone Madone is a medium-contrast typeface with unique and reduce stems for terminals in several letters. The modern impression on Typeface is very supportive to perfect a design. Madone comes with 3 text and 5 display weights with each matching Italic. Contain several OpenType features: Stylistic Alternates and Figures Variation (fraction, tabular lining, numerator, denominator). Each style includes 600+ glyphs supporting all Western, Eastern and Central European languages also Cyrillic (over 20 languages supported). Madone Download Now View Gallery

Klothilde Klothilde is a handwriting font which came to life in one of my doodling sessions (I must admit I still doodle with pen and paper). The idea was to create a font which resembles writing with a quill on paper with exaggerated ball terminals. Sometimes there is too much ink which makes the letters fat and the strokes uneven. The paper soaks the ink resulting in blurred line crossings. The form gets blurry. On the other hand, when the quill runs out of ink the stroke gets thinner looking like the light version of Klothilde . In order to emulate the different looks, I created six fonts with a common skeleton but different appearance which can be altered seamlessly by using the Variable Fonts technology (e.g. in latest Adobe apps or CorelDRAW Graphics Suite) along the Weight and Blurred sliders. But even without, Klothilde can be used even in longer copy. Use it from 18 pt upwards, flush left with tight leading and intersecting ascenders and descenders. Due to extensive ma